Meeting report Mar 18 2008
SECTION MEETING REPORT
March 18,2008
SECTION:
HOLLYWOOD
ATTENDANCE:
120
LOCATION: Clarity Theater –
Beverly Hills, CA.
SPEAKERS:
(include
company affiliation)
TOPICS:
Lenny Lipton – RealD,
Stereoscopic Cinema
Steve Schklair – 3ality,
Buzz Hays – Sony
Imageworks,
Robert Neumann – Disney
Animation,
David Seigel – In-three.
The
Hollywood Section’s March meeting was on the subject of Stereoscopic Cinema.
We have wanted to cover this subject for a long
time, but the lack of properly equipped facilities had prevented it.
Thanks to Lenny Lipton of RealD, we were given the
availability of the Clarity Theater in
Beverly Hills.
This
theater is normally used for private and industry screenings.
It has 120 seats, and is fully equipped for 35mm and
70mm film, plus digital projection.
It also has the “silver” screen necessary for
Polaroid 3D projection.
The pre-show reception was hosted by RealD and In-three.
Most of the attendees gathered for catered pizza and
salad.
Because of the popularity of the subject, this was one of the rare times
we had to ask for RSVPs to control attendance.
The number of people wanting to see the program was
larger than the seating capacity, but by the time of the show it came out to be
just about the size of the theater.
The program began at 7:30pm, and was introduced by Lenny Lipton of RealD.
He gave a brief historical overview of stereoscopic
movies, explaining how it was done with double projectors in the past.
The problems with that system were detailed, along
with how 3D works today with a single digital projector.
The next presenter was David Siegel of In-three, who
described how movies filmed for normal projection could be converted to
stereoscopic.
Following him was Steve Schklir of 3ality, with a
discussion of cameras used to capture this format.
The next presenter was Buzz Hays of Sony Imageworks.
His presentation covered the responsibilities of the
producer of the 3D aspect of current productions.
Last was Robert Neumann of Disney Animation, with a
very informative demonstration of the use of depth in storytelling.
He had a number of examples of how differences in
apparent depth could affect the dramatic effect of the film.
All of the presenters illustrated their talks with on-screen examples,
including STAR WARS III, MEET THE ROBINSONS, and BEOWULF.
The planned presentations
ended at 10:00pm, and were followed by a question and answer session attended by
about half of the audience.



